Frank Who?

Frank Rigg is a multidisciplinary artist whose creative journey began with winning the Mingo Public Schools Art Awardback in 1988 and he’s been chasing that high ever since. Born and raised in Oklahoma, Frank’s work blends traditional techniques with modern digital tools to create art that’s rich in narrative, detail, and personality.

Initially self-taught, Frank began airbrushing in the early 2000s, transforming what started as curiosity into a passion. Inspired by the precision and fluidity of airbrush art, he honed his skills through magazines, YouTube tutorials, and pure stubbornness. His early work—ranging from portraits to custom pieces earned him spots in five national art compilation books published by Out of Step Books, including Antennae of Inspiration and Black & White: Volume One.

In recent years, Frank’s focus has shifted to digital illustration and comic art, where he works primarily in Clip Studio Paint and Photoshop. He creates vibrant, character-driven pieces full of humor, heart, and grit. His work leans into storytelling, whether it’s a one-off illustration or a multi-page comic. The digital medium has allowed him to merge his technical knowledge with expressive creativity, and he’s constantly exploring how technology can elevate his visual voice.

Frank’s art has been exhibited at regional conventions and was featured in the Valparaiso Community Supported Art Initiative and the Porter County Museum. He is currently pursuing a BA in Art Studies at Arizona State University.

When he’s not drawing, you can find him painting miniatures, 3D printing props, or sketching his next big idea, likely on the back of a napkin.

Message from Frank

My work grows out of a lifelong passion for storytelling and visual experimentation. I began as a traditional artist, learning airbrush and illustration techniques that allowed me to create intricate, detailed images. Over time, I have expanded into digital media, finding new ways to connect my personal vision with evolving technologies.

At the heart of my practice is a love of narrative. Whether I am creating a comic book cover, a digital painting, or a 3D scene, I am always thinking about how images carry story, humor, and emotion. My ongoing project, Wackyman, reflects this, an absurd yet heartfelt comic world that pays homage to the history of comics while carving out its own identity.

Recently, I have turned toward art technology learning tools like Blender and ZBrush—because I believe the future of storytelling lies in immersive, interactive spaces. My goal is to merge my traditional strengths as a draftsman with modern tools that open new creative possibilities. I am interested in how art and technology together can expand both personal expression and audience engagement.

Ultimately, I make art because it allows me to connectwhether with my family, with a community of artists, or with viewers who encounter my work. My journey is one of growth, curiosity, and persistence, and I see each project as both a continuation of my past and a step toward the future.